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Oxana Omelchuk: Die Zähmung der Stille

for electric violin, Fender Rhodes piano, Behringer 2600 Synthesizer

(2022)

The study deals exclusively with the technique of ring modulation, which multiplies 2 incoming voltages together and forms the difference and summation tones from them at the output.

Electric violin and electric piano are each ring modulated with the same oscillator of the Behringer 2600.

In a sense, the piece is an allusion to the Trio 1977 by Johannes Fritsch, which features trombone, viola and synthesizer.
Oxana Omelchuk

Foto: privat

Oxana Omelchuk (*1975 in Belarus) studied with Johannes Fritsch and Michael Beil at the Hochschule für Musik und Tanz Köln. In addition to her compositional activities, she performs as a musician in various formations, and her range as a performing musician is reflected in her works. In her approach to existing material, the composer does not distinguish between U and E or High and Low. In her compositions she does not primarily want to create something new, but rather to transform existing, rediscovered material into the present.

For several years, she has also been intensively involved in her compositional work with modular synthesizers, which for her means developing works out of experimental trial arrangements and improvisational processes.

Since 2020 Oxana Omelchuk is part of the collective Polar Publik, a community of artists from the genres of dance, theater, new music and visual arts, who in their transdisciplinary projects at the interface of art and science address current situations in which the phenomena of power and powerlessness become explicit.

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Oxana Omelchuk: Die Zähmung der Stille

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